Clarinetist Marianne Gythfeldt has played a central role in the music scene of New York City for three decades, as a chamber ensemble player, an electroacoustic music soloist, and educator. Winning the Naumburg chamber music award with New Millennium Ensemble in 1995 launched a wide-ranging career as clarinetist with Ensemble Sospeso, SEM ensemble, Absolute Ensemble, Collide-o-scope Music, Da Capo Chamber Players, Zephyros Winds and Talea Ensemble.

As a freelance performer, she has performed with Orpheus Chamber Orchestra and the Orchestra of St. Luke’s, and many others. Academic positions include William Paterson University, the University of Delaware and Brooklyn College where she is currently head of woodwinds at the Conservatory of Music. Ms. Gythfeldt’s recent solo CD release on the New Focus label was called “…stunning, Gythfeldt is setting a new standard for her instrument here.” Marianne can also be heard on recordings by CBS Masterworks, CRI, Albany, Innova, New World Records, Koch and Mode Records.

TEACHING

I am professor of clarinet, chamber music and contemporary music at the Conservatory of Music at Brooklyn College. I am the head of woodwinds and I co-direct our contemporary ensemble; conTempo. Ours is a small (affordable!) program where students get a lot of personalized attention and many opportunities to perform! 

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MY GROUPS

I am member clarinetist of Talea Ensemble, Da Capo Chamber Players, Zephyros Winds and Collide-o-scope Music.  These are the ensembles and musicians that challenge and inspire me from season to season.

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  • Press & Reviews

    AMN Reviews

    At first glance, the title of clarinetist Marianne Gythfeldt’s Only Human would appear to be ironic. The album is a collection of work for clarinet and bass clarinet augmented by electronics in various capacities; the resulting sounds are more than just what human breath produces when vibrating a reed. But in fact there’s no irony: the technology never overshadows the essentially human rhythms underlying the music and the equally human urge to convey, though sound, an expressive message from one person to another.

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  • Press & Reviews

    New York Concert Review

    The Da Capo Chamber Players (Patricia Spencer, flute/alto flute; Marianne Gythfeldt, clarinet/bass clarinet; Curtis Macomber, violin; Chris Gross, cello; Steven Beck, piano) launched their 50th anniversary with the first of a series of concerts entitled “Da Capo Bridges,” covering bridges between cultures, styles, and eras. The first in this series was called “Bridging Culture.” The program included a world premiere written especially for this occasion, and several works written specifically for Da Capo. For those unable to attend, we are told that a live stream of the performance was provided.

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  • Press & Reviews

    The Strad

    In Shen Yiwen’s Guo Shang: Hymn to the Fallen and Li Hun: Recessional (2008), the string duo echoed the piano’s thumping lower registers with their own grinding textures, as Macomber floated a melodic line fashioned from traditional Chinese scales. Li Hun began with a flurry of string pizzicatos, joined by flute (Patricia Spencer) and clarinet (Marianne Gythfeldt) in a playful mood.

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  • Press & Reviews

    New York Concert Review

    I wish I could split this review of the Da Capo Chamber Players’ 51st Season into two parts—I shall explain in a moment. Their 50th season was spread over several years due to you-know-what. But think about a fifty-year legacy rich with commissions and a fierce desire to present works by living composers in addition to a few canonic works.

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